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Auteur Theory Shortly The most influential speaker for the auteur policy is Francois Truffaut who complained during the 50s the dominant tendency in French film in 1940s and 1950s. His essey was published in 'Cahiers du Cinema' where he was working as a film critic. Truffaut, Godard, Rohner and Chabrol - a bunch of intellectual film critics from the Cahiers magazine became later the main and the most important directors of the French new wave. The first new wave film is considered to be Jean-Luc Godard's 'A bout de souffle' (Breathless) which was made in 1960. In Breathless and generally in the other new wave films the used production teqhniques were these: location shooting, hand-held camera, natural lighting, casual acting with no star actors and dismissing the traditional rules of editing. The main idea was to make a film very cheaply instead of the classical expensive and internal costume dramas. The...

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