Consider the relative merits of each of these judgements of Act 5: The Duchess of Malfi

... Consider the relative merits of each of these judgements of Act 5: 'The true tragedy is with the Duchess. When she is gone, what are Bosola and Julia, what are Ferdinand and the Cardinal but hateful leftovers.' (Evaughan) Act 5 is to be regarded as Webster's achievement of his moral purpose: to pursue to the end his theme of sin and retribution. (Federick Allen) To some extent, I agree that the "true tragedy is with the Duchess." "The Duchess of Malfi hinges around this female protagonist. Right from the beginning of the play she is seen as the 16th century Renaissance stereotype of a 'lusty widow.' The Duchess was expected to fulfil an androgynous role. She had to have the so-called 'manly' intelligence yet appear feminine and motherly. She was expected to be tough and yet submissive. The protagonist was a powerful woman but she is a woman who goes beyond the

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