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Units and objectives * Identifying the channel of creative line * Defining the creative objectives- inner, outer, * Naming the unit * Using given circumstances * The super objective * The through line of action Units and Objectives Stanislavski developed a method for breaking a scene down into its constituent parts, which he called units of action. This kind of systematic analysis of the component parts enables the actor to examine and study the play's structure; but, according to Stanislavski, its benefits go well beyond this. 'You have divided the play into its main... episodes - its largest units. Now draw from each of these units its essential content and you will have the inner outline of the whole play. Each large unit is in turn divided into... medium and small parts which, together, compose it... 'The division of a play into units, to study its structure, has one purpose,' explained the Director... 'There is another,...

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