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Moulin Rouge described by baz Lurhamann as a peoples film  

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Moulin Rouge described by baz Lurhamann as a peoples film Once again, similarly as before, the camera follows swiftly up through the window of Christians room, this time the changes are distinctly noticeable as the room is portrayed as bright, airy and clean and shows Christian looking out of the window, satisfied with his surroundings. Christian explains his need to be in Paris due its bohemian atmosphere and want to write about truth, beauty, freedom and most importantly, love. Christian sits down at his typewriter to begin writing about love when he realises that he knows nothing about love as he has never been in love. This is made more obvious to the audience as there is a brief pause on Christian as he realises his obsession with love, purposely pausing on it to accentuate its importance. Then there is another pause as he realises he hasn't been in love and...

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