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Evaluation

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Evaluation Before we began rehearsing our scenes, we set our intentions from what we wanted each character to achieve on stage. In our set text of "Antigone," my first reaction to the character of Creon was to play him, as this death-obsessed, loud, brutal tyrant but this I felt, would've made the character seem two-dimensional. To create this extra edge of intimidation and emotional impact on behalf of Antigone, I chose to use measured speak in low tones for most of the scene so when I did raise my voice it would have a greater dramatic impact. If I'd played Creon as the harsh tyrant, a lot of physical violence would've been used but we made sure we only did this when exasperation was shown in Creon's speech. When his sly, evil tones were obviously having hardly any effect on Antigone, at one point we had my character marching across the...

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